{"id":59910,"date":"2026-02-11T12:26:24","date_gmt":"2026-02-11T11:26:24","guid":{"rendered":"https:\/\/teatremusical.cat\/espectacle\/carmen-2\/"},"modified":"2026-08-06T21:03:02","modified_gmt":"2026-08-06T19:03:02","slug":"carmen-2","status":"publish","type":"espectacle","link":"https:\/\/teatremusical.cat\/cast\/espectacle\/carmen-2\/","title":{"rendered":"Carmen"},"content":{"rendered":"<p>BARCELONA 1960<br \/>\nLa Barcelona m\u00e9s s\u00f2rdida dels anys seixanta \u00e9s el d\u00e8dal on transiten una puta tenyida de ros, un torero ascendit a la categoria de D\u00e9u i un pobre gu\u00e0rdia civil borratxo i ranquejant inv\u00e0lid de guerra.<br \/>\nEn aquesta concepci\u00f3 esperp\u00e8ntica i dantesca, centrada en la trag\u00e8dia de la dona, la figura de Don Jos\u00e9 i d&#8217;Escamillo ha de resultar rid\u00edculament insignificant. De no haver-los separat els avatars de la fortuna, Escamillo i Don Jos\u00e9, haurien compartit sort i dest\u00ed; s\u00f3n id\u00e8ntica criatura: cara i creu de la mateixa moneda.<br \/>\nAls anys seixanta els fills de l&#8217;Espanya profunda somniaven a ser toreros de rang.<br \/>\nEls milions i milions d&#8217;adolescents que no aconseguien materialitzar la gl\u00f2ria, podien optar entre emigrar a l&#8217;estranger, si volien prosperar, o fer-se membres del cos de la Gu\u00e0rdia Civil.<br \/>\nEl s\u00edmil de l&#8217;actualitat serien youtubers o futbolistes.<br \/>\nPotser un dia fem la versi\u00f3 contempor\u00e0nia de la Carmen, ja que malauradament encara \u00e9s vigent, di\u00e0riament, la trag\u00e8dia.<br \/>\nFem doncs una met\u00e0fora taurina de la l\u00eddia entre don Jos\u00e9 \u2014\u00bbun napbuf que es troba gran perqu\u00e8 aconsegueix escopir molt lluny\u00bb\u2014 i \u00able diable qui tente au parad\u00eds\u00bb: Carmen cobejosa, intel\u00b7ligent i lliure al preu m\u00e9s alt, ruborosa com una Verge perfumada, un toro indomable i amb un dest\u00ed marcat, que rarament aboca a l&#8217;indult.<\/p>","protected":false},"featured_media":15598,"template":"","meta":{"_acf_changed":true,"_monsterinsights_skip_tracking":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"class_list":["post-59910","espectacle","type-espectacle","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle\/59910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle"}],"about":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/types\/espectacle"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media\/15598"}],"wp:attachment":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media?parent=59910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}