{"id":61517,"date":"2025-12-01T21:29:00","date_gmt":"2025-12-01T20:29:00","guid":{"rendered":"https:\/\/teatremusical.cat\/?post_type=espectacle&#038;p=61517"},"modified":"2026-03-15T12:57:02","modified_gmt":"2026-03-15T11:57:02","slug":"somethings-coming-un-tribut-a-sondheim","status":"publish","type":"espectacle","link":"https:\/\/teatremusical.cat\/cast\/espectacle\/somethings-coming-un-tribut-a-sondheim\/","title":{"rendered":"Something\u2019s Coming, un tribut a Sondheim"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Amb motiu dels 10 anys de l\u2019estrena de l\u2019espectacle la tardor de 2015 i com a homenatge especial&nbsp;a Stephen Sondheim -que va morir el 26 de novembre de 2021 ara far\u00e0 4 anys-, Joan V\u00e1zquez recupera el seu tribut en un format concert-cabaret al Golem\u2019s nom\u00e9s per una nit, dilluns 24 de novembre.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sondheim va ser el gran compositor de musicals del nostre temps, autor de les lletres de&nbsp;<em>West Side Story<\/em>&nbsp;i&nbsp;<em>Gypsy<\/em>&nbsp;i de la m\u00fasica i lletres de&nbsp;<em>Company, Sweeney Todd, A Little Night Music, Follies, Sunday in the Park with George, Merrily We Roll Along, Passion<\/em>&nbsp;o&nbsp;<em>Into the Woods.&nbsp;<\/em>A trav\u00e9s de les seves can\u00e7ons hem rigut i hem plorat, hem apr\u00e8s a estimar i a entendre (o&nbsp;acceptar que no podem entendre del tot) el m\u00f3n en qu\u00e8 vivim. L\u2019autor&nbsp;ens ha deixat himnes inoblidables, com \u201cBeing Alive\u201d, \u201cSend in the Clowns\u201d o \u201cBroadway Baby\u201d, entre molts d\u2019altres.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En aquest vetllada, Joan V\u00e1zquez (<em>Oca\u00f1a: Reina de las Ramblas<\/em>,&nbsp;<em>Ciutat de Gespa, Paquito Forever),<\/em>&nbsp;acompanyant-se ell mateix al piano, interpreta algunes de les can\u00e7ons m\u00e9s emblem\u00e0tiques del compositor nord-americ\u00e0 en un espectacle que ha presentat amb gran \u00e8xit durant l\u2019\u00faltima d\u00e8cada a cabarets de Londres i Nova York, les dues capitals del teatre musical.<\/p>","protected":false},"featured_media":61518,"template":"","meta":{"_acf_changed":true,"_monsterinsights_skip_tracking":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"class_list":["post-61517","espectacle","type-espectacle","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle\/61517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle"}],"about":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/types\/espectacle"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media\/61518"}],"wp:attachment":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media?parent=61517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}