{"id":62350,"date":"2026-03-18T19:16:31","date_gmt":"2026-03-18T18:16:31","guid":{"rendered":"https:\/\/teatremusical.cat\/?post_type=espectacle&#038;p=62350"},"modified":"2026-03-18T19:25:34","modified_gmt":"2026-03-18T18:25:34","slug":"west-side-story-pablo-ferrandez-i-ludovic-morlot","status":"publish","type":"espectacle","link":"https:\/\/teatremusical.cat\/cast\/espectacle\/west-side-story-pablo-ferrandez-i-ludovic-morlot\/","title":{"rendered":"West Side Story, Pablo Ferr\u00e1ndez i Ludovic Morlot"},"content":{"rendered":"<p class=\"wp-block-paragraph\">El Concert per a violoncel en si m \u00e9s l\u2019\u00faltima obra que Dvor\u00e1k va compondre als Estats Units, el febrer de 1895. El vol simf\u00f2nic del seu inici anuncia una magnific\u00e8ncia orquestral que refor\u00e7ar\u00e0 la posici\u00f3 d\u2019un solista -aqu\u00ed Pablo Ferr\u00e1ndez, bon coneixedor de l\u2019obra- que, seguint la tradici\u00f3 rom\u00e0ntica, es vol irreductible. El moviment lent evocar\u00e0 la mem\u00f2ria de Josefina Cermakova, de qui Dvor\u00e1k havia estat enamorat, per donar pas des del contrast a un finale marcial, que crida a la mobilitzaci\u00f3 heroica de les energies f\u00edsiques i emocionals amb l\u2019acci\u00f3 inconfusible del triangle i la complicitat del concertino a les proximitats de la fi, en prodigi\u00f3s duet amb el violoncel.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L\u2019espectacularitat de les composicions de Dvor\u00e1k, que sovint incorporen ritmes i melodies de la Boh\u00e8mia natal, es retroba a les&nbsp;<em>Danses simf\u00f2niques<\/em>&nbsp;de la&nbsp;<em>West Side Story<\/em>&nbsp;de Bernstein. Despr\u00e9s d\u2019haver descobert l\u2019exultant i ir\u00f2nica obertura de la seva opereta&nbsp;<em>Candide<\/em>, basada en un esbojarrat text de Voltaire, es podr\u00e0 gaudir amb la trama musical d\u2019una pel\u00b7l\u00edcula que reescriu la impossibilitat dels amors shakespearians en el context d\u2019una metr\u00f2poli multicultural.<\/p>","protected":false},"featured_media":62351,"template":"","meta":{"_acf_changed":true,"_monsterinsights_skip_tracking":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":""},"class_list":["post-62350","espectacle","type-espectacle","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle\/62350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/espectacle"}],"about":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/types\/espectacle"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media\/62351"}],"wp:attachment":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media?parent=62350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}