{"id":70123,"date":"2019-03-22T00:00:36","date_gmt":"2019-03-21T23:00:36","guid":{"rendered":"http:\/\/teatremusical.cat\/?p=7859"},"modified":"2026-07-26T18:32:30","modified_gmt":"2026-07-26T16:32:30","slug":"%e2%96%ba-ciutat-de-gespa-prorroga-al-teatre-gaudi-de-barcelona-fins-al-14-dabril","status":"publish","type":"post","link":"https:\/\/teatremusical.cat\/cast\/2019\/03\/22\/%e2%96%ba-ciutat-de-gespa-prorroga-al-teatre-gaudi-de-barcelona-fins-al-14-dabril\/","title":{"rendered":"\u25ba \u201cCiutat de Gespa\u201d prorroga al Teatre Gaud\u00ed de Barcelona fins al 14 d\u2019abril."},"content":{"rendered":"<p>\u25ba\u00c9s un musical original en el qual la hist\u00f2ria s\u2019explica \u00edntegrament a trav\u00e9s de la m\u00fasica de Gerard Alonso (Le Llaman Copla, Ojos Verdes, T\u2019estimo -ets perfecte- ja et canviar\u00e9, Paquito Forever) i les lletres de Joan V\u00e1zquez.<\/p>\n<p><iframe loading=\"lazy\" title=\"Peque\u00f1o para\u00edso -Ciutat de gespa- (El Mal\u00e0 de Barcelona)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/U9KvLKepAGQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>\u25baL\u2019obra pren com punt de partida la hist\u00f2ria de dos homes en un del moments m\u00e9s importants de les seves vides. Un d&#8217;ells, Federico Garc\u00eda Lorca, al 1929, acabat d&#8217;arribar a Nova York, prepara una confer\u00e8ncia a Columbia University. L&#8217;altre, Walt Whitman, al 1854, gaudeix d&#8217;una vida tranquil\u00b7la banyant-se al riu despreocupat. La pregunta inesperada d&#8217;un nen far\u00e0 trontollar els principis de Whitman i afectar\u00e0 profundament l\u2019exist\u00e8ncia de Lorca.<\/p>\n<p>\u25baJoan V\u00e1zquez ha estat guanyador del Premio de Teatro Musical a Millor Actor Destacat per Paquito Forever, espectacle pel qual ha estat tamb\u00e9 nominat als Premis Butaca i al Premi de la Cr\u00edtica a millor musical. Tamb\u00e9 destaca el seu espectacle Something\u2019s Coming, tribut a Sodheim, que, despr\u00e9s d\u2019una llarga temporada a l\u2019Almeria Teatre, es va poder veure tant a Nova York com a Londres. Ha actuat en altres obres com Hair, Merrily We Roll Along, Mamma Mia, Els Nois d&#8217;Hist\u00f2ria, Bagdad Caf\u00e8, My Fair Lady i Rent. El passat mes de novembre va interpretar a Oca\u00f1a sota la direcci\u00f3 de Marc Rosich en l\u2019espectacle Coplas para Oca\u00f1a al Goethe Institut de Barcelona.<\/p>\n<p>\u25baSinopsi<br \/>\n\u25baLorca acaba d\u2019arribar a Nova York en ple Crack del 1929, on intenta recuperar-se d\u2019una ruptura sentimental I de la tra\u00efci\u00f3 que ha rebut per part del seus companys Dal\u00ed i Bu\u00f1uel.<\/p>\n<p>\u25baEst\u00e0 preparant una confer\u00e8ncia a Columbia University, per\u00f2 les paraules no li v\u00e9nen.<\/p>\n<p>\u25baEl poeta Walt Whitman -75 anys abans- gaudeix d\u2019una vida plena sense cap preocupaci\u00f3.<\/p>\n<p>\u25baLes dues hist\u00f2ries s\u2019entrellacen quan un nen li deixar anar una pregunta a Whitman que li far\u00e0 trontollar els seus principis i afectar\u00e0 profundament l\u2019exist\u00e8ncia de Lorca.<\/p>","protected":false},"excerpt":{"rendered":"<p>\u25ba\u00c9s un musical original en el qual la hist\u00f2ria s\u2019explica \u00edntegrament a trav\u00e9s de la m\u00fasica de Gerard Alonso (Le Llaman Copla, Ojos Verdes, T\u2019estimo -ets perfecte- ja et canviar\u00e9, Paquito Forever) i les lletres de Joan V\u00e1zquez. \u25baL\u2019obra pren com punt de partida la hist\u00f2ria de dos homes en un del moments m\u00e9s importants [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":73890,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-70123","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticies"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/70123","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/comments?post=70123"}],"version-history":[{"count":1,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/70123\/revisions"}],"predecessor-version":[{"id":74531,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/70123\/revisions\/74531"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media\/73890"}],"wp:attachment":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media?parent=70123"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/categories?post=70123"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/tags?post=70123"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}