{"id":74833,"date":"2026-08-01T08:57:10","date_gmt":"2026-08-01T06:57:10","guid":{"rendered":"https:\/\/teatremusical.cat\/?p=74833"},"modified":"2026-08-01T10:16:37","modified_gmt":"2026-08-01T08:16:37","slug":"el-teatre-musical-a-catalunya-que-ha-passat","status":"publish","type":"post","link":"https:\/\/teatremusical.cat\/cast\/2026\/08\/01\/el-teatre-musical-a-catalunya-que-ha-passat\/","title":{"rendered":"El teatre musical a Catalunya, qu\u00e8 ha passat?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Aquest documental  de set cap\u00edtols produ\u00eft per Teatremusical.cat, \u00e9s el primer projecte audiovisual especialitzat en aquest g\u00e8nere tant a Catalunya com a tot l\u2019Estat espanyol. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La producci\u00f3 ofereix un recorregut per la hist\u00f2ria i evoluci\u00f3 del teatre musical catal\u00e0 a trav\u00e9s de testimonis: Toni Albadalejo, Daniel Angl\u00e8s, Jos\u00e9 Miguel Apar\u00edcio, Ester Bartomeu Floreta, \u00c0lex Casanovas, \u00c0lex Casanovas, Anna Rosa Cisquella, Coco Comin, Antoni Font-Mir, Mario Gas, Julia G\u00f3mez Cora, Marisol Gonz\u00e1lez, \u00c0ngels Gonyalons, Ferran Guiu, Merche Mar, Carme Portaceli, Carme Sansa, Jordi Sellas, Arnau Tordera i Joan Vives. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A m\u00e9s de les entrevistes, la s\u00e8rie incorpora imatges d\u2019arxiu i una narraci\u00f3 fora de camp amb textos escrits espec\u00edficament per a cada cap\u00edtol, aportant context i construint un relat cohesionat que va m\u00e9s enll\u00e0 d\u2019un recull d\u2019espectacles. Per aix\u00f2 ja hi ha l\u2019aixiu hist\u00f2ric de Teatremusical.cat.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? [CAP\u00cdTOL PRIMER: LLUM DE LA MEVA VIDA]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/UPJ9Z6KhC4o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol primer: Llum de la meva vida.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Comencem a narrar la hist\u00f2ria del teatre musical catal\u00e0 a final del Segle XIX amb la creaci\u00f3 del teatre l\u00edric catal\u00e0. <em>La fada,\u00a0 L&#8217;alegria que passa,\u00a0 Blancaflor,<\/em> Adri\u00e0 Gual,\u00a0Audicions Graner, <em>Pel teu amor<\/em>, Gran Teatre del Liceu i un reportatge sobre el Teatre Principal de Barcelona, son alguns dels noms que hi trobareu.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? [CAP\u00cdTOL SEGON: EL\u00c0STICS BLAUS]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/qjPfRz-nfog?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol segon: El\u00e0stics blaus.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El Paral\u00b7lel!, una ratlla tendra sobre el m\u00f3n.\u00a0Despr\u00e9s del teatre l\u00edric catal\u00e0 ens situem als anys 20 del segle XX fins a l&#8217;esclat de la Guerra Civil Espanyola.\u00a0 Veurem teatres com: L&#8217;Arnau, l&#8217;Apolo, el Vict\u00f2ria, el Tal\u00eda, el Molino, el Condal, el cuplet, la revista, la sarsuela,\u00a0 i un reportatge especial per gaudir del que havia estat aquesta avinguda teatral.<br>Aquest cap\u00edtol inclou la darrera entrevista amb la Merche Mar.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? [CAP\u00cdTOL TERCER: LA REVOLUCI\u00d3 \u00c9S DE MALA EDUCACI\u00d3]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8zmr3g4F0vs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol tercer: La revoluci\u00f3 \u00e9s de mala educaci\u00f3.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;off de Barcelona \u00e9s una realitat de fa molts anys.\u00a0Despr\u00e9s de la desfeta provocada per la Guerra Civil Espanyola, als anys 60 ens endinsem a <em>La Cova del Drac<\/em>, la <em>Granja animal<\/em>, la creaci\u00f3 privada, el referent que era Barcelona com a ciutat teatral els prejudicis contra el teatre musical, <em>L&#8217;\u00f2pera de tres rals<\/em>, i un reportatge especial de La Trinca i la seva vinculaci\u00f3 amb el teatre musical catal\u00e0.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? [CAP\u00cdTOL QUART: LES VELES S&amp;apos;INFLARAN]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/HHCeoszkHwk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol quart: Les veles s&#8217;inflaran<\/strong>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Dagoll Dagom connectar\u00e0\u00a0amb el p\u00fablic i recuperar\u00e0 als anys 70 el gran format que havia implantat el teatre l\u00edric catal\u00e0. Abans, el catal\u00e0 supera prohibicions com es pot veure al reportatge especial amb obres com <em>El retaule del flautista<\/em>, <em>The Rocky Horror Show<\/em>, <em>La Bella Helena<\/em>, la creaci\u00f3 de Dagoll Dagom, el Teatre Lliure, i els musicals de la productora Focus, La Cubana, el centre dram\u00e0tic de la Generalitat i molts m\u00e9s.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? - CAP\u00cdTOL CINQU\u00c8 -  BARCELONA SONA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8Vq75OobKlQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol cinqu\u00e8: Barcelona sona.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La creaci\u00f3 d&#8217;escoles especialitzades als anys 90 amb Memory i Coco Comim, per aquesta tradici\u00f3 avui als teatres de la Gran Via de Madrid molts dels actors que s&#8217;hi poden trobar s\u00f3n catalans. <em>Germans, de sang, T&#8217;odio amor meu, Chicago, Casem-nos una mica<\/em>, el naixement de El musical m\u00e9s petit i un reportatge dedicat al teatre musical de petit format que contrastava amb el teatre musical de gran format de les companyies privades i dels teatres p\u00fablics.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? - CAP\u00cdTOL SIS\u00c8 - ALGUNA COSA FALLA\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/G3DKpxTjt6o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol sis\u00e8: Alguna cosa falla.<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#8217;arribada de les franqu\u00edcies a Madrid i a Barcelona als inicis del 2000.<em> Rent<\/em>, la creaci\u00f3 del BTM, p\u00e0gines especialitzades, per qu\u00e8 no s&#8217;ha treballat que el teatre sigui una oferta tur\u00edstica?, quin paper hi ha tingut l&#8217;administraci\u00f3 p\u00fablica? Totes aquestes preguntes queden reflectides al reportatge especial amb obres com <em>Qu\u00e8!, Parad\u00eds, Cop de Rock, Fama <\/em>o el naixement d&#8217;Egos Teatre i l&#8217;associaci\u00f3 del gran format en castell\u00e0.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"EL TEATRE MUSICAL A CATALUNYA, QU\u00c8 HA PASSAT? - CAP\u00cdTOL SET\u00c8 - ALGUN DIA M&amp;apos;AL\u00c7AR\u00c9\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/_rZ-1lupMX8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cap\u00edtol set\u00e8: Algun dia m&#8217;al\u00e7ar\u00e9<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La deixadesa institucional a la primera d\u00e8cada del segle XXI en el teatre provoca que molts espectacles de gran format, fins i tot els creats a Catalunya es fan en castell\u00e0. La desaparici\u00f3 de companyies o la persist\u00e8ncia dels creadors catalans. L&#8217;actualitat posada en un reportatge especial on podrem veure la breu estada d&#8217;Onyric, el Petit Pr\u00edncep, obres internacionals i el Riiiing!!!\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Aquest documental de set cap\u00edtols produ\u00eft per Teatremusical.cat, \u00e9s el primer projecte audiovisual especialitzat en aquest g\u00e8nere tant a Catalunya com a tot l\u2019Estat espanyol. La producci\u00f3 ofereix un recorregut per la hist\u00f2ria i evoluci\u00f3 del teatre musical catal\u00e0 a trav\u00e9s de testimonis: Toni Albadalejo, Daniel Angl\u00e8s, Jos\u00e9 Miguel Apar\u00edcio, Ester Bartomeu Floreta, \u00c0lex Casanovas, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":74834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_breakdance_hide_in_design_set":false,"_breakdance_tags":"","footnotes":""},"categories":[4],"tags":[],"class_list":["post-74833","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sabies-que"],"acf":[],"_links":{"self":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/74833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/comments?post=74833"}],"version-history":[{"count":15,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/74833\/revisions"}],"predecessor-version":[{"id":74855,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/posts\/74833\/revisions\/74855"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media\/74834"}],"wp:attachment":[{"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/media?parent=74833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/categories?post=74833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/teatremusical.cat\/cast\/wp-json\/wp\/v2\/tags?post=74833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}